LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.
LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.
LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.
LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.
LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.
LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.
LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.
LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.
LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.
LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.
LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.
LEE BUL
Willing To Be Vulnerable, 2015–2016.
Heavy-duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
dimensions variable
Installation view of the 20th Biennale of Sydney, 2016.
Photo: Algirdas Bakas. Courtesy Studio Lee Bul.