Architectural settings and abstracted figures inspired by the artist’s biography serve as the central tenets of Do Ho Suh’s practice, highlighting the porous boundary between public and private space as well as notions of global identity, space, nomadism, memory, and displacement.
For The Contemporary Austin, the artist renders a multipart installation for the Jones Center and Laguna Gloria exploring these themes, combining existing work with newly commissioned aspects and including architectural structures, documentary films, and drawings and related models.