LEE BUL
Perdu LXXX, 2021
Mother-of-pearl, acrylic paint on wooden base panel, steel frame
64 3/16 x 44.5 x 2 9/16 inches
163 x 113 x 6.5 cm
Courtesy Studio Lee Bul
Photo by Jeon Byung-cheol
LEE BUL
Perdu XXV, 2019
Mother of pearl, acrylic paint on wooden base panel, steel frame
Triptych, 64.29 x 131.22 x 2.6 inches
163.3 x 333.3 x 6.6 cm
LEE BUL
Study for Light Tower, 2019
Stainless steel structure, acrylic, LED lights, electrical wiring, control box
49.84 x 37.4 x 8.35 inches (sculpture)
126.6 x 95 x 21.2 cm
3.35 x 13.27 x 10.51 inches (control box)
8.5 x 33.7 x 26.7 cm
LEE BUL
Aubade V, 2019
Steel casting, LED lighting
157.48 x 118.11 x 118.11 inches
400 x 300 x 300 cm
LEE BUL
Willing To Be Vulnerable - Metalized Balloon V3, 2015/2019
Nylon taffeta cloth, polyester with aluminum foil, fan, electronic wiring
90.55 x 393.7 x 90.55 inches
230 x 1,000 x 230 cm
LEE BUL
Untitled (Mekamelencolia - Velvet #16 DDRG35AC), 2020
Human hair, acrylic paint, dried flower on silk velvet
37.8 x 51.18 x 1.38 inches
96 x 130 x 3.5 cm
LEE BUL
Lee Bul: Crashing
Installation view
Hayward Gallery, Southbank Centre, London, United Kingdom
June 1, 2018 – August 19, 2018
© Lee Bul. Courtesy of Hayward Gallery, London.
Photo by Mark Blower
LEE BUL
Lee Bul: Crashing
Installation view
Hayward Gallery, Southbank Centre, London, United Kingdom
June 1, 2018 – August 19, 2018
© Lee Bul. Courtesy of Hayward Gallery, London.
Photo by Mark Blower
LEE BUL
Lee Bul: Crashing
Installation view
Hayward Gallery, Southbank Centre, London, United Kingdom
June 1, 2018 – August 19, 2018
© Lee Bul. Courtesy of Hayward Gallery, London.
Photo by Mark Blower
LEE BUL
Untitled (Mekamelencolia - Velvet #11 DDRG28BR), 2018
Human hair, mother of pearl, acrylic paint, dried flower on silk velvet
Triptych, 51.18 x 112.2 x 1.26 inches
130 x 285 x 3.2 cm
LEE BUL
Aubade III, 2014
Installation view
Commissioned by National Museum of Modern and Contemporary Art, Korea
September 30, 2014 – March 1, 2015
Sponsored by Hyundai Motor Company.
© Lee Bul Courtesy of National Museum of Modern and Contemporary Art, Korea
Photo by Jeon Byung-cheol.
LEE BUL
Partial view of Civitas Solis II
Installation view
Commissioned by National Museum of Modern and Contemporary Art, Korea
September 30, 2014 – March 1, 2015
Sponsored by Hyundai Motor Company.
© Lee Bul Courtesy of National Museum of Modern and Contemporary Art, Korea
Photo by Jeon Byung-cheol.
LEE BUL
Untitled, 2014
Crystal, glass and acrylic beads, mirrors, stainless-steel, aluminum and black nickel rods, steel and bronze chains, stainless-steel and aluminum armature
78.74 x 74.8 x 59.06 inches
200 x 190 x 150 cm
LEE BUL
Via Negativa II, 2014
Polycarbonate sheet, aluminum frame, acrylic and polycarbonate mirrors, steel, stainless-steel, mirror, two-way mirror, LED lighting, silkscreen ink
106.3 x 204.72 x 275.59 inches
270 x 520 x 700 cm
LEE BUL
Bunker (M. Bakhtin), 2007/2012
Cast fiberglass on stainless steel frame, plywood, fabric-covered foam urethane, acrylic mirror, electronics, interactive sound work
118.11 x 157.48 x 110.24 inches
300 x 400 x 280 cm
LEE BUL
Untitled ("Infinity" wall), circa 2008
Cast polyurethane, acrylic paint, two-way glass mirror, glass mirror, aluminum, LED light, SMPS, wood frame
47.24 x 94.49 x 5.12 inches
120 x 240 x 13 cm
LEE BUL
Cyborg W1-W4, 1998
Cast silicone, polyurethane filling, paint pigment
Courtesy Studio Lee Bul and Lehmann Maupin, New York, Hong Kong, and Seoul
Photo by Yoon Hyung-moon.